BROCKMAN

BROCKMAN (They/Them) is award-winning lighting and set designer who has worked both in Australia and Internationally

Sydney Theatre Company: Circle Mirror Transformation, Constellations American Signs; Queensland Theatre Company: Family Values; Griffin Theatre Company: Flat Earthers, Family Values, Splinter, Replay, Diving For Pearls; National Theatre Of Paramatta: Things Hidden Since The Foundation Of The World (AUS/UK), Lady Tabouli, Girl In The Machine, The Girl/ The Woman, The Sorry Mum Project, Let Me Know When You Get Home; Darlinghurst Theatre Company: Overflow, Torch Song Trilogy, Broken, Detroit, Mother Fucker With A Hat, Tinder Box; Hayes Theatre Company: Ride the Cyclone, Gentlemen Prefer Blondes, Carmen Alive Or Dead, Razorhurst; Belvoir 25a: Horses, Jess & Joe Forever, Greater Sunrise; Ensemble Theatre: Tribes, The Big Dry, The Plant, Neville’s Island; Pinchgut Opera: Farnace; Critical Stages:Alphabetical Sydney; CDP: Are we there yet?, Guess How Much I Love You, Spot Live On Stage; Sydney Mardi Gras Festival: Sissy Ball 2022, Sissy Ball 2020; Campbelltown Arts Centre: High Octane, Mirage; Apocalypse: Cleansed, Metamorphoses, Angels In America Part 1 And 2; bAKEHOUSE: Coram Boy, Dresden, Visiting Hours, The Laden Table, Jatinga; Little Eggs Collective: Symphonie Fantastique; Shaun Parker & Company: In The Zone, King; Dance Makers Collective: All In, The Rivoli, Wolverine.Awards: APDG Award for best lighting design for a Live Performance or Event (Cleansed), Best Lighting Design for an Mainstage Production 2023 (Constellations), Best Lighting Design for an Independent Production 2019 (Metamorphoses), Best Lighting Design for an Independent Production 2021 (Symphonie Fantastique)

Updated Bio August 2025