Andrew Goodwin studied voice at the St. Petersburg Conservatory under the direction of Professor Lev Morozov, graduating with a Bachelor of Music. He has also studied with Robert Dean in the UK.
Andrew has appeared with Sydney Chamber Opera (Passion), The Song Company (Bach and forward), Melbourne Bach Choir (Evangelist, St Matthew Passion), 4 Winds Festival (Britten’s Serenade for tenor, horn and strings), Sydney Symphony Orchestra (Mozart Litaniae de venerabili altaris sacramento), Coriole Festival, Monash Academy (Haydn Mass in Time of War), Sydney Philharmonia Choirs (Israel in Egypt), Auckland Philharmonia Orchestra (Bach Magnificat), Brisbane Festival (Lyle Chan‘s My Dear Benjamin with the Queensland Symphony Orchestra), and Handel in the Theatre (Jephtha, The Vow), as well as in recitals with Daniel de Borah and the Australia Piano Quartet. His 2017 engagements include performances with the Melbourne Symphony Orchestra (Mozart Requiem), Sydney Philharmonia Choirs (Dream of Gerontius and Messiah), Coriole Festival and Adam Chamber Music Festival, Melbourne Bach Choir (St John Passion), Melbourne Chamber Orchestra, Sydney Chamber Opera (Biographica and The Rape of Lucretia ) Sydney University Graduate Choir (Saint Saëns Requiem) and the Auckland Philharmonia Orchestra (Handel Ode for St. Cecilia’s Day).
Other recent engagements have included Britten’s Serenade for Tenor, Horn and strings (Adelaide and Melbourne Symphony Orchestras), Egeo in Cavalli’s Giasone and Florival in L’amant jaloux (Grétry) for Pinchgut Opera, his debut in the title role in The Rake’s Progress for Auckland Philharmonia Orchestra; the roles of Lensky (Eugene Onegin) and Tamino (The Magic Flute) with the Bolshoi Opera; Messiah for Sydney Philharmonia; Bach’s B Minor Mass with The Song Company, as well as featuring at Musica Viva’s Huntington Festival, and the Australian Festival of Chamber Music, Townsville.
Notable opera performances include Andrew’s debut for Opera Australia as Fenton in Falstaff and the role of Avvakum in the world premiere of Rodion Shchedrin’s Boyarina Morozova at the Moscow State Conservatory; Belmonte in (Die Entführung aus dem Serail), Don Ottavio (Don Giovanni), Novice (Billy Budd), Janek (The Makropoulos Affair) and Tamino (Die Zauberflöte) for Opera Australia; return appearances at the Bolshoi for Alfred (Die Fledermaus) and to tour the Bolshoi production of Eugene Onegin performing Lensky at The Ljubljana Music Festival, Slovenia, La Scala, Milan and Teatro Real, Madrid and The National Centre for the Performing Arts, Beijing. Andrew also made his debut at the Liceu, Barcelona as Silvio in Martin Y Soler’s L’Arbore di Diana, and his UK debut singing the role of Gomatz in Mozart’s Zaide with The Classical Opera Company. He has also appeared as Orpheus in Haydn’s L’anima del filosofo for Pinchgut Opera.
Please visit: www.andrewgoodwintenor.com
Andrew appeared as Orpheus in L'anima del filosofo (2010), as Egeo in Giasone (2013), as Florival in L'Amant Jaloux (2015) and will be singing the title role in Hasse's Artaserse for us in 2018.
Pinchgut Opera acknowledges the Gadigal people of the Eora nation, the first story-tellers and singers of songs. We pay our respects to elders past, present, and emerging.