Anna Fraser has gained a reputation as a versatile soprano specialising predominantly in the interpretation of early and contemporary repertoire.
Anna is a graduate of the Sydney Conservatorium of Music and New England Conservatory (Boston) and furthered her studies in the Britten-Pears Young Artist Program featuring as a soloist at the Aldeburgh Festival (UK) under the direction of Richard Egarr and Antony Rolfe-Johnson.
As a core ensemble member of the Song Company for over a decade, Anna has had the pleasure of performing in a myriad of traditional and exploratory programming expertly demonstrating the versatility and virtuosity of a cappella singing. Equally at home as a dramatist on the stage presenting opera and historically informed chamber music, Anna is a strong exponent in music education, particularly with Moorambilla Voices and Gondwana Choirs.
Anna performs extensively with a number of Sydney's professional ensembles including Pinchgut Opera (since 2004 with notable roles in L'Orfeo, Dardanus, L’Ormindo, Castor et Pollux) and Cantillation, Sydney Chamber Opera (Dusapin’s Passion, Finsterer’s Biographica), Sydney Philharmonia Choirs, Sydney Symphony Orchestra, Ironwood, The Acacia Quartet, Ensemble Offspring, Halcyon, Taikoz; Bach Akadamie Australia, Australian Haydn Ensemble, Salut! Baroque, Sydney Consort and Thoroughbass. Anna has collaborated with international ensembles such as period specialists The Wallfisch Band (Bach Unwrapped cantata programmes at Kings Place, London) and the New Zealand String Quartet (Adam Chamber Music Festival, NZ; Canberra International Music Festival).
Photo by Noni Carroll
Pinchgut Opera acknowledges the Gadigal people of the Eora nation, the first story-tellers and singers of songs. We pay our respects to elders past, present, and emerging.